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Ricardo Brey. Gap in the Clouds
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Ricardo Brey (°1955, Havana) is one of the most important artists of our time. His artistic roots lie in the 1970s and 1980s as an active member of the group Volumen I, a landmark in Cuban art history. After extensive travel, Brey receives an invitation from Jan Hoet to participate in Documenta IX in Kassel. Brey moves to Ghent in 1990, where he still lives and works. In 1998 he received a Guggenheim fellowship for installation art and sculpture and the Flemish Visual Arts Prize. Brey has held numerous international group and solo exhibitions including in Belgium SMAK (2006) and M HKA (2015). The artist is represented by Alexander Gray Associates, New York.
Gap in the Clouds is published to accompany the solo exhibition by Ricardo Brey in Museum Hof van Busleyden in Mechelen. It is his first major exhibition in Belgium after his participation in the 56th Venice Biennale. With Gap in the clouds, the artist wants to make a positive statement and give a sign of hope in these troubled times. The globally shared humanity of the pandemic and the rousing social movements for racial and gender equality have prompted Brey to create a series of introspective works that seek to weave a web between his disparate works. Colour and light are playing an important role encompassing the artist’s ongoing exploration of concepts like time, mythology, human expression, and the natural universe. In his works of this period of solitude in his studio due to the lockdowns Brey explores the colour blue as he associated this colour with the sky and the sea, symbols of expansiveness and freedom, with open spaces, intuition, imagination, inspiration, and sensitivity. The book will include artist writings and a collaboration with author and poet Peter Verhelst.
Gap in the Clouds is published to accompany the solo exhibition by Ricardo Brey in Museum Hof van Busleyden in Mechelen. It is his first major exhibition in Belgium after his participation in the 56th Venice Biennale. With Gap in the clouds, the artist wants to make a positive statement and give a sign of hope in these troubled times. The globally shared humanity of the pandemic and the rousing social movements for racial and gender equality have prompted Brey to create a series of introspective works that seek to weave a web between his disparate works. Colour and light are playing an important role encompassing the artist’s ongoing exploration of concepts like time, mythology, human expression, and the natural universe. In his works of this period of solitude in his studio due to the lockdowns Brey explores the colour blue as he associated this colour with the sky and the sea, symbols of expansiveness and freedom, with open spaces, intuition, imagination, inspiration, and sensitivity. The book will include artist writings and a collaboration with author and poet Peter Verhelst.
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Technical info
- Author
- Koen Leemans
- Hannah Iterbeke
- Anne Wetsi Mpoma
- Peter Verhelst
- Ricardo Brey
- Category
- Monographs
- Language
- Engels
- Pages
- 228
- Release date
- 24 May 2022
- Product form
- Hardback
- Dimensions
- 318 mm x 248 mm
- Weight
- 1494 g
- EAN number
- 9789463937375
About these authors
Koen Leemans
Koen Leemans (°1972) is curator en auteur. Hij was de samensteller van de tentoonstelling ‘Photo Friction’ en is de auteur van het gelijknamige boek.
Hannah Iterbeke
Anne Wetsi Mpoma
Peter Verhelst
Peter Verhelst (°1962, Brugge) is een gelauwerd auteur van poëzie, romans, novelles, theaterteksten en scripts. Hij werkt regelmatig samen met beeldend kunstenaars. Hij debuteerde in 1987 met de dichtbundel ‘Obsidiaan’, waarmee hij al…
Ricardo Brey
Ricardo Brey is a Cuban-born visual artist.
His artistic roots lie in the 1970s and 1980s,
when he was an active member of the
group Volumen I, today a synonym for
the emergence of a new generation of avant-garde…